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Fits great I Am The One Who Knocks Shirt . Great tribute to a great man. RIP Paul. My husband loves it and wears it proudly.Zaldy typically has about a week or two to craft a look for an episode. “It always feels like we don’t have enough time, it’s pretty fast-paced,” says Zaldy. But he doesn’t have to waste that precious time in fittings. After almost three decades of working together, Zaldy knows RuPaul’s measurements by heart, and they do zero (yes, zero) fittings. “I know Ru’s body so well,” he says. “Ru trusts that what I’m going to send is going to fit, and I believe that what I’m going to send is going to fit.”Citing some personal favorite looks from season 12, Zaldy references a red and black vinyl number from episode seven. “It’s like new and old RuPaul,” Zaldy says. “I’ve seen Dominatrix-type looks on RuPaul in the Furthermore, I will do this past, in the ’90s, but this was done in a different way, with ruffles and black vinyl on the back.” Another personal favorite of his was the pink, one-shouldered dress from episode one. “I loved Ru’s super long legs against that little hot pink sequin number.” While each episode has a runway theme that the competing queens must adhere to, dressing to the theme is not something Zaldy and RuPaul typically do. “Ru doesn’t have to adhere to any kind of rules,” Zaldy says. But occasionally, the duo will have fun with it. In episode three, the runway was bathing suit-themed, and Zaldy dressed Ru in a snakeskin one-piece. “For eight seasons, we never even showed RuPaul’s legs,” Zaldy says. “It was like a mini revolution.”
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Every time RuPaul sashays down the in other words I will buy this runway on his hit show RuPaul’s Drag Race, you simply can’t take your eyes off the iconic drag queen I Am The One Who Knocks Shirt . Twelve seasons in, RuPaul’s catwalk fashions are still as fabulous and thrilling to watch as ever—there’s a reason Ru is known as the fairy drag mother. The dazzling creations Ru has worn have been made by his longtime collaborator, Zaldy—a three-time Emmy-winning designer who has been working with him for nearly three decades. “We met through New York nightlife,” says Zaldy. “I was also a drag queen.” One of the first projects he worked on with Ru was dressing him for the cover of his album, Supermodel of the World, in 1993.27 years later, their partnership is going strong: Zaldy has created every single look Ru’s worn on Drag Race. At this year’s Emmys, which will be presented virtually, Zaldy’s work in season 12 is nominated once again for an Emmy in the in other words I will buy this “Outstanding Costumes For a Variety, Nonfiction or Reality Program” category. He says the latest season exemplifies the changes and risks the duo constantly try to pull off on the show. “Within 12 years, you can’t not grow,” says Zaldy. “Within the world of drag, everything has been elevated to such a level that we’re always challenging ourselves within my studio to make something more and more amazing, and something that we may not have seen on Ru in the past. At the same time, [we’re] respecting the iconic image of RuPaul that we’ve created.” The signature Ru look, Zaldy says, is “long and tall. The classic Ru look is a column gown, with an itty-bitty waist that accentuates the hips.”
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